Abstract
The literary process of Yakshagana belongs to the Desi Vajmaya branch. Yakshaganam is a unique literary process based on many arts such as music, dance, acting, costume, literature, etc.
Well matured in Sanskrit literature. The Yakshagana is a confluence of skill as it entertains the laity with many metaphorical processes and blends them with their talents.
The name of the Yakshagana is not heard in the Devayonas and it is doubtful that it has anything to do with the Yakshas. Kinnera, Naga and Gandharva’s are also said to be lyricists. In Marga music there is a tune with a fairy nail.
There are many states in our country. All of these are called Yams in Bengal, my beautiful, Gandharva dance in Marwa country, Yakshaganam in Andhra, Karnataka, Tamil states. Yakshaganam is derived from Kuravanji. They were the first to make this argument. According to the evidence of Late Veturi Prabhakara, this literary process has spread in Tamil Nadu since its inception in the country.
Yaksha fame is also heard in the Karnataka Vajmayam from the 12th century. In the Mallinatha Purana, Yakshandolanamanu Natya Prasakti is mentioned. Scholars are of the opinion that the Jakkus mentioned in the Kridabhirama are the same as the Ekkalaganas mentioned in the Karnataka Vajmayam.
There are legends that fairies ruled for some time in the history of Sinhala country. Historically, it has been known that these species were nomadic species that came to open for survival. Over time, the Jakkus have given up their natural passion for singing.
The production of the ballad is mainly heard for three weeks. At first the Jakkus sang the stories of heroines. "These Jakkulas are the basis for the art form of the Yakshagana. In addition, Sri Vettori Prabhakarashastri thinks that an aural narrative has arrived. Among the Yakshaganas of the same century, Koravanji Natyamuka Uda is also mentioned separately along with Jakkini.
Although in a way Yakshaganam is a form of dance, musical metaphor, Yakshaganam is a form of dance, dance, dance music, the process has been cushioned in many ways in recent times. This is what Westerners call it It can be called 'opera'. It can be displayed in the village in any hustle and bustle, in the temple premises or under any tree. Theatrical production is also limited. Put one, two screens. Some believe that this metaphorical process is indigenous and naturally occurring, while others believe that it may be one of the eighteen that the evangelist mentions as metaphors in Sanskrit. Some people think that these are street metaphors because they are displayed on the street. Yakshagana naturally originated for evangelism, pamarajana entertainment and gradually developed into an essential branch.