UGC Approved Journal no 63975(19)

ISSN: 2349-5162 | ESTD Year : 2014
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Published in:

Volume 8 Issue 9
September-2021
eISSN: 2349-5162

UGC and ISSN approved 7.95 impact factor UGC Approved Journal no 63975

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Published Paper ID:
JETIR2109225


Registration ID:
315032

Page Number

c219-c227

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Title

Rooted Text, Uprooted Women – Interrogating the Periphery via Devdas’ Heroines in Hindi Cinema

Authors

Abstract

Sarat Chandra Chattopadhyay’s Devdas (1917) needs no introduction, being perhaps the most acclaimed and frequently adapted among his works. Enlisted among various limits and liberties exhibited by their screen adaptations in Hindi is the depiction of the two women featuring in Devdas’ life. This is because the films diverge in their depiction when compared to the literary original. All five film adaptations of the novel showcase their heroines with innovative touches, particularly in terms of characterisation. Chattopadhyay’s composition of Paro and Chandramukhi is largely incongruous with the filmmakers’ envisioning of them. Unrestricted by notions of temporality, contextualization or contemporaneity, this ‘revisional’ portraiture and its reasons deserve attention. Questions of audience acceptability and appeasement may well have been privileged over fidelity. Additionally, was this a corrective measure on their part, seeking to ‘empower’ these women far more than the author did? The paper seeks to locate these answers and raise further questions, utilising the centre margin theory. Are varying portrayals products of ensuing socio-temporal conflicts between the ‘grand narrative’ of a ‘patriarchal centre’ and the ‘social periphery’ inhabited by women? Moreover, what are their implications? Do these conflicts plunge the reader/viewer into a dilemma, unable to negotiate between affiliations to the original text, and a body of films nearly on the brink of a ‘postmodernist breakthrough’? How does this challenge the contemporaneous representation of women – does it indeed counter the ‘violence’ caused through metanarratives like these? This discourse is sought to be inaugurated.

Key Words

Literature, Cinema, Intertextuality, Centre-Periphery, Women, Postmodernism.

Cite This Article

"Rooted Text, Uprooted Women – Interrogating the Periphery via Devdas’ Heroines in Hindi Cinema", International Journal of Emerging Technologies and Innovative Research (www.jetir.org), ISSN:2349-5162, Vol.8, Issue 9, page no.c219-c227, September-2021, Available :http://www.jetir.org/papers/JETIR2109225.pdf

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2349-5162 | Impact Factor 7.95 Calculate by Google Scholar

An International Scholarly Open Access Journal, Peer-Reviewed, Refereed Journal Impact Factor 7.95 Calculate by Google Scholar and Semantic Scholar | AI-Powered Research Tool, Multidisciplinary, Monthly, Multilanguage Journal Indexing in All Major Database & Metadata, Citation Generator

Cite This Article

"Rooted Text, Uprooted Women – Interrogating the Periphery via Devdas’ Heroines in Hindi Cinema", International Journal of Emerging Technologies and Innovative Research (www.jetir.org | UGC and issn Approved), ISSN:2349-5162, Vol.8, Issue 9, page no. ppc219-c227, September-2021, Available at : http://www.jetir.org/papers/JETIR2109225.pdf

Publication Details

Published Paper ID: JETIR2109225
Registration ID: 315032
Published In: Volume 8 | Issue 9 | Year September-2021
DOI (Digital Object Identifier):
Page No: c219-c227
Country: -, -, India .
Area: Engineering
ISSN Number: 2349-5162
Publisher: IJ Publication


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