UGC Approved Journal no 63975(19)

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Published in:

Volume 6 Issue 6
June-2019
eISSN: 2349-5162

UGC and ISSN approved 7.95 impact factor UGC Approved Journal no 63975

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Published Paper ID:
JETIRCX06042


Registration ID:
218194

Page Number

221-225

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Title

The aspects of ‘Third Cinema’ storytelling in Tamil films and the ‘Digital Kinetoscope’ experience of Digital citizens.

Abstract

Storytelling is an institutional effort. The controlled traditional media were functioning as agent of storytelling through epics and myths which was a connection of group and social behaviors. The collaborative structure (sound, sight and light) of film (film language) made both the experience of ‘kinetoscope’ and ‘cinema’. The cinema became a trade, it transformed and was adopted by many social groups. By questions against the film language, the trade of storytelling and the profit of the industry made different kinds of ‘film movements’. The ‘Third cinema’ movement (1960s-1970s) -normally encompasses ‘Cinema Novo, ‘Imperfect Cinema, and ‘Third Estate’- questioned against Hollywood (first cinema) and European (second cinema) films on the functions of its aesthetics and techniques. “Third Cinema films aspire to be socially realistic portrayal of life and emphasize topics and issues such as poverty, national and personal identity, tyranny, and revolution, colonialism, class and cultural practices”-John LeBlanc (2010). The consequences of ‘Third cinema’ movement, the purpose of storytelling, continentally become the reflection of the reality of life. The Tamil film industry has changed its story telling. This study focuses on the aspects of ‘Third cinema’ storytelling in Tamil film and comparatively focuses on the structure of a song ‘Azhagumalaraada’ from ‘Vaidehi Kathirunthal’ (1984) and the content of ‘Peranbu’ (2019). On the other hand, the digital environment has transformed into a new form of cinema audience, like mono viewing of Edison’s ‘Kinetoscope’. Lumiere brothers’ the space between the projector and screen allowed more individuals to experience the collaborative form (Film, space, and screen) of ‘cinema’. The smart phones have abridged the cinema space into ‘mono viewer’ which I termed as ‘Digital Kinetoscope’. This paper also explores the exposure of the ‘Digital citizens’ to ‘Third cinema’.

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"The aspects of ‘Third Cinema’ storytelling in Tamil films and the ‘Digital Kinetoscope’ experience of Digital citizens.", International Journal of Emerging Technologies and Innovative Research (www.jetir.org), ISSN:2349-5162, Vol.6, Issue 6, page no.221-225, June 2019, Available :http://www.jetir.org/papers/JETIRCX06042.pdf

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2349-5162 | Impact Factor 7.95 Calculate by Google Scholar

An International Scholarly Open Access Journal, Peer-Reviewed, Refereed Journal Impact Factor 7.95 Calculate by Google Scholar and Semantic Scholar | AI-Powered Research Tool, Multidisciplinary, Monthly, Multilanguage Journal Indexing in All Major Database & Metadata, Citation Generator

Cite This Article

"The aspects of ‘Third Cinema’ storytelling in Tamil films and the ‘Digital Kinetoscope’ experience of Digital citizens.", International Journal of Emerging Technologies and Innovative Research (www.jetir.org | UGC and issn Approved), ISSN:2349-5162, Vol.6, Issue 6, page no. pp221-225, June 2019, Available at : http://www.jetir.org/papers/JETIRCX06042.pdf

Publication Details

Published Paper ID: JETIRCX06042
Registration ID: 218194
Published In: Volume 6 | Issue 6 | Year June-2019
DOI (Digital Object Identifier): http://doi.one/10.1729/Journal.23260
Page No: 221-225
Country: Bikaner, Rajasthan, India .
Area: Engineering
ISSN Number: 2349-5162
Publisher: IJ Publication


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