• Ms. Faiza M. Khan
• Dr Shivaji B. Methe

This research paper seeks to explore the representation of hyperreality in Peter Weir’s The Truman Show (1998), Cameron Crowe’s Vanilla Sky (2001), Spike Jonze’s Her (2013), and Alex Garland’s Ex Machina (2014). The concepts of simulation and simulacra, as put forth by French philosopher Jean Baudrillard, are crucial to hyperreality. The definition of a simulation is the merging of reality and representation. A copy without an original is frequently used to define the simulacrum. This study looks at the concept of hyperreality and its implications for AI in the contemporary cinematic universe. It attempts to explore the representation of hyperreality and also explore the virtual reality represented by modern technologies in select movies. The paper evaluates the films based on the varying components of hyperreality, such as the setting and environment of the films, the mentality of antagonists, the vulnerability of the protagonists, the title of the films, and the theme of AI present in the pictures.

Hyperreality, Artificial Intelligence, Simulacra, Cinema  

"Use of AI and Representation of Hyperreality, in the Movies- The Truman Show (1998), Vanilla Sky (2001), Her (2013) and Ex Machina (2014)", International Journal of Emerging Technologies and Innovative Research (www.jetir.org), ISSN:2349-5162, Vol.10, Issue 10, page no.e707-e712, October-2023, Available :http://www.jetir.org/papers/JETIR2310399.pdf

"Use of AI and Representation of Hyperreality, in the Movies- The Truman Show (1998), Vanilla Sky (2001), Her (2013) and Ex Machina (2014)", International Journal of Emerging Technologies and Innovative Research (www.jetir.org | UGC and issn Approved), ISSN:2349-5162, Vol.10, Issue 10, page no. ppe707-e712, October-2023, Available at : http://www.jetir.org/papers/JETIR2310399.pdf