• Amin Chandra Mahato
• Abdul Quadir

Shakespeare's plays provide as examples of both successful and unsuccessful human reactions to authority. These graphics capture the viewer and look great on the silver screen. This essay aims to investigate the popular culture adaption of Shakespeare in India. It examines how India's imagination has completely swallowed Shakespeare. This work primarily examines four recent Indian cinema adaptations of Shakespeare: Maqbool (directed by Vishal Bhardwaj, based on Shakespeare's Macbeth), Omkara (directed by Vishal Bhardwaj,, based on Shakespeare's Othello), and Issaq (directed by Tiwari, based on Shakespeare's Romeo and Juliet). Shakespeare was never more domesticated than in these highly successful Indian productions. This research investigates the ways in which cinematic representation reinforces the status quo social structure. This article examines the ideology that directed the film's development and the messages it conveys.

Popular Cinema; Shakespearean adaptations; Bollywood.

"A STUDY SELECTIVE OF SHAKESPEAREAN ADAPTATIONS IN INDIAN POPULAR CINEMA", International Journal of Emerging Technologies and Innovative Research (www.jetir.org), ISSN:2349-5162, Vol.11, Issue 2, page no.e718-e722, February-2024, Available :http://www.jetir.org/papers/JETIR2402498.pdf

"A STUDY SELECTIVE OF SHAKESPEAREAN ADAPTATIONS IN INDIAN POPULAR CINEMA", International Journal of Emerging Technologies and Innovative Research (www.jetir.org | UGC and issn Approved), ISSN:2349-5162, Vol.11, Issue 2, page no. ppe718-e722, February-2024, Available at : http://www.jetir.org/papers/JETIR2402498.pdf