• Kunj Marken

This paper presents a range of records about technology in music and examines how computer-based totally musicians are imposing this technology. The first component considers how the computing framework of author, audience, and cause applies to those musicians. The second element examines the important hardware and software gear that integrates with these systems to paintings as a novel rig and instrument. The paper also covers a few musical components of computer-based music projects, inclusive of mixing. The final element discusses the advancements of digital equipment, and how they’re surpassing the abilities of hardware gear. Much of the studies supplied comes first hand from successful musicians who use computers as central components of their workflows and is primarily based, in element, on a web survey conducted by the author.

"THE CONTRIBUTION OF THE COMPUTER IN THE FIELD OF MUSIC AND SOUND COMPUTING", International Journal of Emerging Technologies and Innovative Research (www.jetir.org), ISSN:2349-5162, Vol.5, Issue 12, page no.765-773, December 2018, Available :http://www.jetir.org/papers/JETIREC06090.pdf

"THE CONTRIBUTION OF THE COMPUTER IN THE FIELD OF MUSIC AND SOUND COMPUTING", International Journal of Emerging Technologies and Innovative Research (www.jetir.org | UGC and issn Approved), ISSN:2349-5162, Vol.5, Issue 12, page no. pp765-773, December 2018, Available at : http://www.jetir.org/papers/JETIREC06090.pdf