• Atiya Parveen

Abstract: This paper highlights the Rabindranath Tagore’s works on various dimensions of grotesque perception and tries to develop the several stages of his life hurdles: his philosophical and psychological approaches in his drawings that can be easily understand. An appropriately understood of Rabindranath artworks, which represented a mystical stance to the people and an outlook of grotesque connection. He was familiar from the world and perceives a unique gratification by Indian culture and nature, grotesque is the main aspect of his works, though it is not easy to describe inappropriately in language because of only an eerie simplification of enormous varieties and qualities of the multi-dimensional world into a linear pattern like mystical, hybrids, exaggerating, doodling, sarcastic caricaturing, frightening, and absurd. In that case, I am trying to convey the ideas and concepts of his art works; we found a hazard of getting into confusion and conflict. So there is a limitation of the language for the writer in its description and judgment, particularly when it deals with paintings and visual aspects.

Rabindranath’s grotesque, doodling, painting and psychology.

"Rabindranath Tagore’s Paintings: A Grotesque Outlook", International Journal of Emerging Technologies and Innovative Research (www.jetir.org), ISSN:2349-5162, Vol.5, Issue 6, page no.517-521, June-2018, Available :http://www.jetir.org/papers/JETIR1806198.pdf

"Rabindranath Tagore’s Paintings: A Grotesque Outlook", International Journal of Emerging Technologies and Innovative Research (www.jetir.org | UGC and issn Approved), ISSN:2349-5162, Vol.5, Issue 6, page no. pp517-521, June-2018, Available at : http://www.jetir.org/papers/JETIR1806198.pdf