UGC Approved Journal no 63975(19)
New UGC Peer-Reviewed Rules

ISSN: 2349-5162 | ESTD Year : 2014
Volume 12 | Issue 9 | September 2025

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Published in:

Volume 6 Issue 2
February-2019
eISSN: 2349-5162

UGC and ISSN approved 7.95 impact factor UGC Approved Journal no 63975

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Published Paper ID:
JETIR1902G43


Registration ID:
523316

Page Number

296-298

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Title

Metamodernism in Marvel Cinematic Universe’s The Infinity Saga

Abstract

Metamodernism in cultural studies refers to a framework for understanding and analysing contemporary cultural phenomena that bridge the gap between the postmodern and modern eras. It acknowledges the limitations and critiques of postmodernism while incorporating a renewed sense of sincerity, emotion, and ethical engagement that characterises modernism. It is often identified by analysing cultural artefacts such as literature, film, music, visual arts, and architecture. The paper discusses complex ideas, grand and micronarratives with surrealist hyperreal aspects in Marvel Cinematic Universe’s The Infinity Saga. The conflict between ‘good capitalist’ Tony Stark and ‘evil capitalists’ in the “Iron Man” trilogy aligns with metamodernism by exploring the complexities of capitalism, ethics, and personal growth. The trilogy’s nuanced approach to these themes, along with its blending of sincerity, irony, and the personal and political, exemplifies the metamodernist tendency to engage with contemporary issues in a multifaceted and emotionally resonant manner. The MCU’s effective blending of grand narratives and micronarratives aligns with metamodernism’s approach to storytelling. The saga blends diverse elements to create a rich, multifaceted narrative while acknowledging its intertextual connections to the source material and broader cultural contexts. The hyperreal and surreal blending in the Infinity Saga aligns with metamodernism by navigating the blurred boundaries between reality and fantasy, engaging with mythic narratives while staying emotionally resonant, and presenting complex narratives that involve audience participation. This blending of different modes of storytelling reflects metamodernism’s emphasis on embracing diverse influences and navigating the complexities of contemporary culture.

Key Words

Metamodernism, Infinity Saga, MCU, micronarrative, hyperreality

Cite This Article

"Metamodernism in Marvel Cinematic Universe’s The Infinity Saga", International Journal of Emerging Technologies and Innovative Research (www.jetir.org), ISSN:2349-5162, Vol.6, Issue 2, page no.296-298, February-2019, Available :http://www.jetir.org/papers/JETIR1902G43.pdf

ISSN


2349-5162 | Impact Factor 7.95 Calculate by Google Scholar

An International Scholarly Open Access Journal, Peer-Reviewed, Refereed Journal Impact Factor 7.95 Calculate by Google Scholar and Semantic Scholar | AI-Powered Research Tool, Multidisciplinary, Monthly, Multilanguage Journal Indexing in All Major Database & Metadata, Citation Generator

Cite This Article

"Metamodernism in Marvel Cinematic Universe’s The Infinity Saga", International Journal of Emerging Technologies and Innovative Research (www.jetir.org | UGC and issn Approved), ISSN:2349-5162, Vol.6, Issue 2, page no. pp296-298, February-2019, Available at : http://www.jetir.org/papers/JETIR1902G43.pdf

Publication Details

Published Paper ID: JETIR1902G43
Registration ID: 523316
Published In: Volume 6 | Issue 2 | Year February-2019
DOI (Digital Object Identifier):
Page No: 296-298
Country: -, -, India .
Area: Engineering
ISSN Number: 2349-5162
Publisher: IJ Publication


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