UGC Approved Journal no 63975(19)

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Published in:

Volume 6 Issue 6
June-2019
eISSN: 2349-5162

UGC and ISSN approved 7.95 impact factor UGC Approved Journal no 63975

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Published Paper ID:
JETIR1907147


Registration ID:
218625

Page Number

46-47

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Title

Bigotry and Hypocrisy: Manjula Padmanabhan’s Lights Out as a Reflection of Contemporary Society

Authors

Abstract

The paper attempts to problematize the representation of women, the voyeuristic attitude and the double standards of the society in Manjula Pamanabhan’s socially pertinent play Lights Out. Indian drama, despite its long standing had the number of women associated with it next to nothing during the first centuries. Manjula Padmanabhan is one among the trailblazers who stepped into the arena of Indian theatre and challenged the norms. The play is most appropriately set in the multicultural milieu of Mumbai that enables a juxtaposition of an ethically upright population and a bunch of hypocrites who preach something and practise something else. Lights Out operates in the silence of the people of the modern urban society. The play necessitates every character to find their safe haven in silence at one point or the other. The insensitivity and apathy of the urban public is genuinely portrayed through the characters who evade from their own responsibilities and delegate their duties to others. The responsible people in power turns a blind eye towards the abominable crime discussed in the play, making it appear quite an unremarkable incident. The exponential upsurge in the rate of heinous crimes on a daily basis had made people insensitive towards the acts rather than making them vigilant and responsible of the situation. Based on a real incident that took place in Santa Cruz, Lights Out is not too big a stretch. The distance between Santa Cruz and any other place in India is short since cases of similar violence are being reported everywhere. Brecht precisely remarks art as a hammer that shapes reality. The playwright through her play is shaping the reality by blatantly pointing what went south. A study on Indian theatre can never be complete without Manjula Padmanabhan.

Key Words

Bigotry, Hypocrisy, Toxic Masculinity, Voyeurism

Cite This Article

"Bigotry and Hypocrisy: Manjula Padmanabhan’s Lights Out as a Reflection of Contemporary Society", International Journal of Emerging Technologies and Innovative Research (www.jetir.org), ISSN:2349-5162, Vol.6, Issue 6, page no.46-47, June 2019, Available :http://www.jetir.org/papers/JETIR1907147.pdf

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2349-5162 | Impact Factor 7.95 Calculate by Google Scholar

An International Scholarly Open Access Journal, Peer-Reviewed, Refereed Journal Impact Factor 7.95 Calculate by Google Scholar and Semantic Scholar | AI-Powered Research Tool, Multidisciplinary, Monthly, Multilanguage Journal Indexing in All Major Database & Metadata, Citation Generator

Cite This Article

"Bigotry and Hypocrisy: Manjula Padmanabhan’s Lights Out as a Reflection of Contemporary Society", International Journal of Emerging Technologies and Innovative Research (www.jetir.org | UGC and issn Approved), ISSN:2349-5162, Vol.6, Issue 6, page no. pp46-47, June 2019, Available at : http://www.jetir.org/papers/JETIR1907147.pdf

Publication Details

Published Paper ID: JETIR1907147
Registration ID: 218625
Published In: Volume 6 | Issue 6 | Year June-2019
DOI (Digital Object Identifier):
Page No: 46-47
Country: ALAPPUZHA, KERALA, India .
Area: Arts
ISSN Number: 2349-5162
Publisher: IJ Publication


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