UGC Approved Journal no 63975(19)

ISSN: 2349-5162 | ESTD Year : 2014
Call for Paper
Volume 11 | Issue 4 | April 2024

JETIREXPLORE- Search Thousands of research papers



WhatsApp Contact
Click Here

Published in:

Volume 9 Issue 7
July-2022
eISSN: 2349-5162

UGC and ISSN approved 7.95 impact factor UGC Approved Journal no 63975

7.95 impact factor calculated by Google scholar

Unique Identifier

Published Paper ID:
JETIR2207186


Registration ID:
405704

Page Number

b704-b713

Share This Article


Jetir RMS

Title

Journey of Farmer Portrayals in Indian Cinema: An Analysis in the Spectacle of

Abstract

Abstract Do Bigha Zamin (dir. Bimal Roy, 1953) and Peepli Live (dir. Anusha Rizvi, 2010) are two bollywood films from different periods and contexts that show farmers walking through the same debt trap. This article analyzes the contribution of Do Bigha Zamin and Peepli Live in understanding the life of a peasant and its components which are relevant to untangle the farmer’s journey in the film, and the rise of modernity which changed the trajectory of agricultural films in India after the 1990s. Shambu, the main protagonist of Do Bigha Zamin, is portrayed as a simple farmer who got entrapped in the debt cycle by the landlord and subsequently forced to quit his profession, to fulfill the decree of what he called “mai-baap”. Shambu's failure to save his land is demonstrated through the rationale of “development” from enterprises and state, which had the fundamental influence on agriculturalist folks till today. While Natha in Peepli Live also falls into debt and reluctantly agreed to suicide that gets sensationalized by the news media. Deluge by the promises of politicians, Natha escape from home, thereafter, confluence happens between the politicians that showed they were using Natha's suicide for their ends. Do Bigha Zamin and Peepli Live embodied the social state of their respective times, and sketched the intangible sorrow, portrayed in other farmer based Indian films, that tell a story which is very less often gets heard.

Key Words

Keywords: farmer, debt, suicide, social state, media

Cite This Article

"Journey of Farmer Portrayals in Indian Cinema: An Analysis in the Spectacle of ", International Journal of Emerging Technologies and Innovative Research (www.jetir.org), ISSN:2349-5162, Vol.9, Issue 7, page no.b704-b713, July-2022, Available :http://www.jetir.org/papers/JETIR2207186.pdf

ISSN


2349-5162 | Impact Factor 7.95 Calculate by Google Scholar

An International Scholarly Open Access Journal, Peer-Reviewed, Refereed Journal Impact Factor 7.95 Calculate by Google Scholar and Semantic Scholar | AI-Powered Research Tool, Multidisciplinary, Monthly, Multilanguage Journal Indexing in All Major Database & Metadata, Citation Generator

Cite This Article

"Journey of Farmer Portrayals in Indian Cinema: An Analysis in the Spectacle of ", International Journal of Emerging Technologies and Innovative Research (www.jetir.org | UGC and issn Approved), ISSN:2349-5162, Vol.9, Issue 7, page no. ppb704-b713, July-2022, Available at : http://www.jetir.org/papers/JETIR2207186.pdf

Publication Details

Published Paper ID: JETIR2207186
Registration ID: 405704
Published In: Volume 9 | Issue 7 | Year July-2022
DOI (Digital Object Identifier):
Page No: b704-b713
Country: Hisar, Haryana, India .
Area: Arts
ISSN Number: 2349-5162
Publisher: IJ Publication


Preview This Article


Downlaod

Click here for Article Preview

Download PDF

Downloads

000194

Print This Page

Current Call For Paper

Jetir RMS