• KESAVI BAGEPALLI
• U HIMA BINDU

ABSTRACT: In this paper On performing the traditional antique culture and among Natyasastra and its kinds as many by the Bharata that who curved its expressions and importance through Rasa in the Art of Natyasastra. The main hypothesis in the context of my chosen topic on physical presentation basing on mind construction on the theme of Rasa and presentation of Hava and Bhava. As to mingled to the chosen topic it is made an effort to discuss about the further innovations and additions of certain Rasas to the 8 Rasas for which as features of expressions of Bhavam through literature, music and through which the receiver (the audience) feel emotions that of relieving Rasa and its kinds. It is also included as an effort the changes either as modifications with connective innovative creations on expressions during performances basing on the concept Rasa as a theme and the changes in modern times to that of ancient structures that constructed by Bharata. The concept of my chosen topic with a view to reveal the sanctity, purity, perfection etc., while presentation on stage or other for significance of the art through culture.

"RASA IN INDIAN PERFORMING ARTS", International Journal of Emerging Technologies and Innovative Research (www.jetir.org), ISSN:2349-5162, Vol.9, Issue 10, page no.e335-e337, October-2022, Available :http://www.jetir.org/papers/JETIR2210446.pdf

"RASA IN INDIAN PERFORMING ARTS", International Journal of Emerging Technologies and Innovative Research (www.jetir.org | UGC and issn Approved), ISSN:2349-5162, Vol.9, Issue 10, page no. ppe335-e337, October-2022, Available at : http://www.jetir.org/papers/JETIR2210446.pdf