• Dipanwita Bagdi

Abstract: This paper deals with the concept of individuality used in Dhrupad pada and its impact and influence on Tegore's philosophical view on his Dhrupadanga songs. Philosophy is the pursuit of wisdom and consciousness through individual concept or ideology. So knowledge of various venues such as art, politics, religion, logic and metaphysics create concepts. The empathetic knowledge of religion is rationalised through consciousness definition and analytical reasoning makes people sceptical about the Supreme Being, it establishes faith through religion. Religion can be defined as a social institution involving beliefs and practices based on the sacred. Religion is a matter of Faith. So religion, concept and consciousness complement each other. Socio-cultural and religious Ideology of contemporary society developed an individual’s consciousness. During and before Rabindranath Tagore's era The influence of Dhrupad songs is observed in Bengal. The consciousness and religious sentiments of contemporary Dhrupad singing style is observed in Dhrupadanga songs of Rabindranath Tagore. Rabindranath's Dhrupadanga songs can be found among the Brahmo Sangeets. Similar conceptual approach can be found between Dhrupad Pada and Dhrupadanga songs of Rabindranath Tagore. "Pratham adi Shiva shakti. / Naad parameshwara Narada Tambura Saraswati bhavare" this Dhrupad pada of Baiju Bawara develops the conceptual approach through religious sentiments towards the Supreme Power. Shiva, Narada, Saraswati and Tambura are the symbol of creation, enlightenment, destruction, nature and beauty. These concepts, thoughts and beliefs of enlightenment divine and Supreme discuss in Dhrupadanga songs of Rabindranath Tagore - " Prathama adi tava shakti./ Adi paramajjwala jayati tomari he gogone gogone". These Dhrupadanga song of Tegore's mainly discuss supreme power, the soul's desire for union with the supreme power, self-surrender and introspection. The topic of this paper investigates the manner in which the contemporary Dhrupad pada and Dhrupadanga songs of Rabindranath seem to have a similar approach. This article analyses in a theoretical manner. Analytical methods, history methods and descriptive methods are used for presenting true sentiments and approach of this paper. To understand the conceptual individuality of Rabindranath Tagore, it is essential to analyse Dhrupadanga's songs of Rabindranath Tagore.

Concept, Religion, Conceptual individuality of Dhrupad, Conceptual individuality of Rabindranath Tagore, Dhrupad pada and Tegore's Dhrupadanga songs.

"Conceptual Individuality Of Dhrupad Pada And Dhrupadanga Songs Of Rabindranath Tagore", International Journal of Emerging Technologies and Innovative Research (www.jetir.org), ISSN:2349-5162, Vol.10, Issue 4, page no.l654-l657, April-2023, Available :http://www.jetir.org/papers/JETIR2304B92.pdf

"Conceptual Individuality Of Dhrupad Pada And Dhrupadanga Songs Of Rabindranath Tagore", International Journal of Emerging Technologies and Innovative Research (www.jetir.org | UGC and issn Approved), ISSN:2349-5162, Vol.10, Issue 4, page no. ppl654-l657, April-2023, Available at : http://www.jetir.org/papers/JETIR2304B92.pdf