• Dr. Chakradhar Behera

Post-Colonial Era: Analysis of Contemporary Painting and Printmaking Techniques Dr. Chakradhar Behera Associate Professor, Utkal University of Culture Sanskruti Vihar, Madanpur, Bhubaneswar, Odisha ABSTRACT This abstract provides a concise overview of the intricate landscape of post-colonial art in India. Post-independence, Indian artists embarked on a journey to re-establish their cultural and artistic identities, responding to the legacies of colonialism. This abstract delves into the themes, mediums, and discourses that define post-colonial Indian art. It discusses the amalgamation of traditional and contemporary elements, the exploration of identity, and the engagement with social and political issues. The abstract highlights the multifaceted nature of this artistic movement and its role in reshaping the narrative of a post-colonial India. Printmaking has a long and illustrious history dating back thousands of years. The earliest kinds of printmaking were established in ancient China, where artists used wood blocks to create prints as early as the 7th century. Printmaking, on the other hand, began to emerge as a distinct art form in Europe in the 15th century. Johannesburg was a goldsmith printer and inventor from Germany who is widely credited with inventing moveable type printing in the mid-15th century. The Bible was the first notable book in history in 1455. During British rule in the 16th century, Goa was the first area in India where printing technology was introduced. It was initially used for religious printing as well as certain commercial printing, such as religious posters. Later twentieth-century pamphlets, etc. This printing technique evolved into fine art printmaking techniques. It became an educational component in the development of printing technology and technicians. This printing process became a part of the curriculum at Art & Craft Colleges such as Madras Art College. Kolkata Government Art and Craft College, JJ Art College, Lahore Art College (now in Pakistan), and another important Visva Bharati University is Kala Bhavana. Printing and printmaking progressed in a variety of methods from pre-colonial to modern times. Academically, most places followed the colonial curriculum, although commercial printing technology evolved quickly. Visva Bharati University Santiniketan researches and produces innovative technology for its students. Key Words: Printmaking, Post-colonial, Artists, Commercial, Technology, Contemporary

Printmaking, Post-colonial, Artists, Commercial, Technology, Contemporary

"Post-Colonial Era: Analysis of Contemporary Painting and Printmaking Techniques", International Journal of Emerging Technologies and Innovative Research (www.jetir.org), ISSN:2349-5162, Vol.10, Issue 11, page no.f566-f573, November-2023, Available :http://www.jetir.org/papers/JETIR2311565.pdf

"Post-Colonial Era: Analysis of Contemporary Painting and Printmaking Techniques", International Journal of Emerging Technologies and Innovative Research (www.jetir.org | UGC and issn Approved), ISSN:2349-5162, Vol.10, Issue 11, page no. ppf566-f573, November-2023, Available at : http://www.jetir.org/papers/JETIR2311565.pdf