Abstract
Abstract:
The Tiwas, indigenous tribes of Assam, have origins steeped in various tales and legends. The terms 'Lalung' and 'Tiwa' have been subjects of interpretation, with some scholars suggesting that "Lalung" originates from the Mikir language, combining "lang" meaning water and "lung" meaning to sink in it. This paper delves into the society of the Tiwas residing in Jagiroad, Assam, exploring facets such as their economic conditions, religious beliefs, fairs and festivals, attire, culinary practices, musical instruments, household utensils. The Tiwas, belonging to the Mongoloid group, embarked on a migratory journey that led them to Assam, where they dispersed across various regions, including Nagaon, Morigaon, and Karbi Anglong districts. Over time, they seamlessly integrated into the fabric of Assamese Hindu society, becoming an integral part of its cultural tapestry. Despite this integration, the Tiwas and Assamese Hindus maintain distinct identities and traditions, particularly evident in their unique festivals. These festivals, rooted in both the seasonal and calendric rhythms of life, showcase a rich tapestry of cultural expressions. Among these, Bihu stands out as the paramount celebration in the region, with the Tiwas infusing their own nuanced variations into the festivities. Additionally, specific festivals such as Gosain Uliuwa Mela, Jonbeel Mela, and the Barat festival hold special significance within these communities. While the festivals retain their cultural authenticity, there is a noticeable influence of Neo-Vaishnavite culture, diffusing broadly across the plain Tiwas and other Assamese caste Hindus. This cultural amalgamation adds depth and diversity to the celebratory landscape. An intriguing highlight is the Committee Bhaona festival of Ankiya drama performance in the Charaibahi area, representing a unique cultural fact.