• Dr. Adish Kumar Verma
• Bishal Prasad

In this study, an attempt has been made to understand the whole scenario of the Aharya abhinaya. Aharya abhinaya explains the outer representation of the performance. In Natyashastra, Bharatmuni mentioned four kinds of abhinaya Angika, Vacika, Aharya and Sattavika abhinaya. He also shows us significant of Aharya abhinaya, the other three types of abhinaya as much important as aharya abhinaya. Aharya abhinaya helps to reflect the character’s emotions state and social background. Costumes, jewelry, make-up, set design and props these components help set the scene, atmosphere and mood, leading the audience’s interpretation of the unfolding story. This framework is essential for achieving rasa or emotional experience for audience. In this analytical study it explores the various aspects of Aharya abhinaya and how it contributes significant role in enhancing the rasa experience for the spectator.

Natyashastra, Aharya abhinaya, Costumes, Ornaments.

"The Analytical Study of Aharya Abhinaya in the context of Natyashastra", International Journal of Emerging Technologies and Innovative Research (www.jetir.org), ISSN:2349-5162, Vol.11, Issue 10, page no.e575-e581, October-2024, Available :http://www.jetir.org/papers/JETIR2410462.pdf

"The Analytical Study of Aharya Abhinaya in the context of Natyashastra", International Journal of Emerging Technologies and Innovative Research (www.jetir.org | UGC and issn Approved), ISSN:2349-5162, Vol.11, Issue 10, page no. ppe575-e581, October-2024, Available at : http://www.jetir.org/papers/JETIR2410462.pdf