UGC Approved Journal no 63975(19)
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ISSN: 2349-5162 | ESTD Year : 2014
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Published in:

Volume 12 Issue 8
August-2025
eISSN: 2349-5162

UGC and ISSN approved 7.95 impact factor UGC Approved Journal no 63975

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Published Paper ID:
JETIR2508560


Registration ID:
568709

Page Number

f450-f456

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Title

Conformity and Totalitarianism: A Political Allegory in Eugène Ionesco’s Rhinocéros

Authors

Abstract

Eugène Ionesco's Rhinocéros (1959) is widely regarded as a landmark of the Theatre of the Absurd and remains one of the most powerful allegories of conformity in modern drama. Set in a provincial French town, the play dramatizes the gradual transformation of ordinary citizens into rhinoceroses, a metaphor for the mass embrace of totalitarian ideologies in mid-twentieth-century Europe. This article examines how Ionesco critiques both fascist and communist authoritarianism by exploring the processes through which language, identity, and rationality collapse under collective pressure. Central to this analysis is the figure of Bérenger, whose reluctant but steadfast resistance highlights the fragility of individual autonomy when confronted with social and political coercion. Ionesco’s use of absurdist techniques—linguistic disintegration, surreal imagery, and escalating metamorphosis—exposes the psychological seductions of conformity as well as its destructive consequences. Drawing upon Hannah Arendt’s theory of totalitarianism, Stanley Milgram’s research on obedience, and Theodor Adorno’s work on the authoritarian personality, the article situates Rhinocéros within its Cold War historical context while underscoring its continued resonance in contemporary debates on populism, groupthink, and democratic vulnerability. This Study demonstrates the enduring significance of Ionesco’s drama as both a political critique and an ethical warning.

Key Words

Eugène Ionesco, Rhinocéros, Theatre of the Absurd, Totalitarianism, Conformity, Bérenger, Fascism, and Communism

Cite This Article

"Conformity and Totalitarianism: A Political Allegory in Eugène Ionesco’s Rhinocéros", International Journal of Emerging Technologies and Innovative Research (www.jetir.org), ISSN:2349-5162, Vol.12, Issue 8, page no.f450-f456, August-2025, Available :http://www.jetir.org/papers/JETIR2508560.pdf

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2349-5162 | Impact Factor 7.95 Calculate by Google Scholar

An International Scholarly Open Access Journal, Peer-Reviewed, Refereed Journal Impact Factor 7.95 Calculate by Google Scholar and Semantic Scholar | AI-Powered Research Tool, Multidisciplinary, Monthly, Multilanguage Journal Indexing in All Major Database & Metadata, Citation Generator

Cite This Article

"Conformity and Totalitarianism: A Political Allegory in Eugène Ionesco’s Rhinocéros", International Journal of Emerging Technologies and Innovative Research (www.jetir.org | UGC and issn Approved), ISSN:2349-5162, Vol.12, Issue 8, page no. ppf450-f456, August-2025, Available at : http://www.jetir.org/papers/JETIR2508560.pdf

Publication Details

Published Paper ID: JETIR2508560
Registration ID: 568709
Published In: Volume 12 | Issue 8 | Year August-2025
DOI (Digital Object Identifier): https://doi.org/10.56975/jetir.v12i8.568709
Page No: f450-f456
Country: Bodh Gaya, Bihar, India .
Area: Arts
ISSN Number: 2349-5162
Publisher: IJ Publication


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