• RABI NARAYAN GUPTA

The comparative study of Indian and Western aesthetics reveals distinct yet interrelated philosophies shaping the evolution of visual art across cultures. Indian aesthetics, rooted in concepts such as Rasa, Bhava, and Dhvani, emphasizes spiritual transcendence, emotional resonance, and the union of the aesthetic experience with metaphysical truth. In contrast, Western aesthetic thought—emerging from classical Greek ideals of mimesis to Enlightenment notions of beauty, form, and the autonomous art object—prioritizes representation, rational interpretation, and sensory pleasure. Through visual art, these aesthetic systems find material embodiment: Indian art transforms the visual field into a meditative and symbolic space, while Western art often foregrounds realism, proportion, and individual expression. By juxtaposing these traditions, the study explores how differing philosophical foundations—idealism versus empiricism, transcendence versus perception—manifest in artistic practice, composition, and audience reception. This comparative inquiry not only bridges intercultural understandings of beauty and meaning but also repositions contemporary visual art as a global dialogue between intuition and intellect, symbolism and materiality, and tradition and innovation. This study compares Indian and Western ideas of aesthetics through the lens of visual art. Indian aesthetics is based on concepts like Rasa (essence of emotion), Bhava (feeling), and Dhvani (suggestion), which focus on inner experience, spirituality, and emotional depth. Western aesthetics, on the other hand, has developed from the Greek idea of Mimesis (imitation) to later theories that emphasize beauty, proportion, and realistic representation. While Indian visual art often seeks to express the spiritual and symbolic, Western art has been more concerned with realistic form, individual expression, and sensory experience. By comparing these two traditions, the study highlights how cultural philosophies shape artistic creation and the way art is experienced. It also shows that modern visual art brings these worlds together, blending emotion and intellect, tradition and innovation, to form a global language of aesthetics.

Indian aesthetics, Western aesthetics, Rasa theory, Comparative aesthetics, Mimesis

"Visual Art as Aesthetic Discourse: Indian and Western Perspectives", International Journal of Emerging Technologies and Innovative Research (www.jetir.org), ISSN:2349-5162, Vol.13, Issue 1, page no.a403-a411, January-2026, Available :http://www.jetir.org/papers/JETIR2601049.pdf

"Visual Art as Aesthetic Discourse: Indian and Western Perspectives", International Journal of Emerging Technologies and Innovative Research (www.jetir.org | UGC and issn Approved), ISSN:2349-5162, Vol.13, Issue 1, page no. ppa403-a411, January-2026, Available at : http://www.jetir.org/papers/JETIR2601049.pdf