• Tejasvi Bhardwaj
• Dr. Anjaneya Sharma

This paper studies the architectural philosophy of Tadao Ando through an exploration of traditional Japanese principles and their reinterpretation in contemporary architectural practice. It examines how Ando integrates cultural philosophies such as Wabi-Sabi (beauty in imperfection), Ma (spatial intervals), Zen Buddhism (simplicity and mindfulness), and harmony with nature to create spaces that are simultaneously minimal, spiritual, and profoundly human. The study combines theoretical insights with analysis of three of Ando’s most acclaimed works -the Church of the Light, the Chichu Art Museum, and the Water Temple - each exemplifying his ability to merge modern materials and geometric purity with traditional Japanese sensibilities. Through qualitative analysis, the research reveals Ando’s architectural language as one that transforms the void, light, and shadow into emotional and philosophical experiences, emphasizing temporal awareness and dialogue with the natural environment. His designs challenge conventional division between modernism and tradition, materiality and spirituality, interior and exterior.

Tadao Ando; Japanese architecture; Wabi-Sabi; Zen Buddhism; Ma; minimalism; contemporary design

"Exploring Tadao Ando’s Architecture through Japanese Principles and Philosophies", International Journal of Emerging Technologies and Innovative Research (www.jetir.org), ISSN:2349-5162, Vol.13, Issue 1, page no.d758-d763, January-2026, Available :http://www.jetir.org/papers/JETIR2601399.pdf

"Exploring Tadao Ando’s Architecture through Japanese Principles and Philosophies", International Journal of Emerging Technologies and Innovative Research (www.jetir.org | UGC and issn Approved), ISSN:2349-5162, Vol.13, Issue 1, page no. ppd758-d763, January-2026, Available at : http://www.jetir.org/papers/JETIR2601399.pdf