UGC Approved Journal no 63975(19)
New UGC Peer-Reviewed Rules

ISSN: 2349-5162 | ESTD Year : 2014
Volume 13 | Issue 3 | March 2026

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Volume 13 Issue 1
January-2026
eISSN: 2349-5162

UGC and ISSN approved 7.95 impact factor UGC Approved Journal no 63975

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Published Paper ID:
JETIR2601532


Registration ID:
575136

Page Number

f209-f220

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Title

Representation of Desilasyanga in Nrtyadhyaya: A Critical Study

Abstract

This paper critically examines the representation of Deśī Lāsyāṅgas in the Nṛtyādhyāya, a medieval Sanskrit treatise on dance, with particular attention to their theoretical articulation and performative significance. During the medieval period, as dance emerged as an independent art form, scholars began codifying its techniques in close dialogue with contemporary performance practices. Within this milieu, Deśī Lāsyāṅgas—understood as stylized feminine dance movements—assumed special importance, as they reflected living regional traditions rather than the rigidly codified mārga framework of Bharata. Unlike the mārga system, which prioritized dramatic expression and rasa-realization, Deśī Lāsyāṅgas emphasized graceful bodily movement, refined expressivity, and localized stylistic adaptations, thereby functioning as a bridge between theory and practice. The text lists thirty-seven different Deśī Lāsyāṅgas, each of which is characterized by certain body movements, gestures, rhythmic coordination, facial expressions, and emotional subtleties. Vivartana, Tharahara, Sthāpanā, Sauṣṭhava, Sruvā, Masṛṇatā, Upāra, Aṅgānaṅga, Abhinaya, Komalikā, and Mukharasa are all examples of forms that show how refined, expressive, and graceful lāsyā is. The author combines technical execution with aesthetic intent through precise lakṣaṇas, stressing the importance of harmony between movement, rhythm, and rasa. his essay shows how important Nṛtyādhyāya is for keeping regional dance vocabularies alive and helps us understand how lāsyā has changed over time outside of the classical mārga framework.

Key Words

Deśī Lāsyāṅga, Nṛtyādhyāya, Aśokamalla, Lāsya, Medieval Sanskrit Dance Treatises, Indian Dance Theory, Regional Dance Traditions, Feminine Movement, Lakṣaṇa, Mārga and Deśī

Cite This Article

"Representation of Desilasyanga in Nrtyadhyaya: A Critical Study", International Journal of Emerging Technologies and Innovative Research (www.jetir.org), ISSN:2349-5162, Vol.13, Issue 1, page no.f209-f220, January-2026, Available :http://www.jetir.org/papers/JETIR2601532.pdf

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2349-5162 | Impact Factor 7.95 Calculate by Google Scholar

An International Scholarly Open Access Journal, Peer-Reviewed, Refereed Journal Impact Factor 7.95 Calculate by Google Scholar and Semantic Scholar | AI-Powered Research Tool, Multidisciplinary, Monthly, Multilanguage Journal Indexing in All Major Database & Metadata, Citation Generator

Cite This Article

"Representation of Desilasyanga in Nrtyadhyaya: A Critical Study", International Journal of Emerging Technologies and Innovative Research (www.jetir.org | UGC and issn Approved), ISSN:2349-5162, Vol.13, Issue 1, page no. ppf209-f220, January-2026, Available at : http://www.jetir.org/papers/JETIR2601532.pdf

Publication Details

Published Paper ID: JETIR2601532
Registration ID: 575136
Published In: Volume 13 | Issue 1 | Year January-2026
DOI (Digital Object Identifier): https://doi.org/10.56975/jetir.v13i1.575136
Page No: f209-f220
Country: Select District, ODISHA, India .
Area: Arts
ISSN Number: 2349-5162
Publisher: IJ Publication


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