Abstract
Animals have held a distinct place in the literature since the birth of narratives. From aerial birds to terrestrial worms, insects, and other animals, they have been described in the literary world. Traditionally, they have been mentioned as metaphors in literary works. However, the paper explores the zoological imagination of William Shakespeare in Hamlet, Macbeth, King Lear, and Othello. The study makes an argument that the animals, instead of presenting as metaphors, play a role in Shakespeare’s larger interrogation of humanity, violence, sovereignty, embodiment, sexuality, race, ecological vulnerability, and the boundary between human and post-human life. The study, carried out under the integrated theoretical framework of Animal Studies, Ecocriticism, Renaissance natural history, and Zoological-cultural analytical study examines Shakespeare’s references to birds, mammals, reptiles, insects, worms, horses, goats, sheep, dogs, cats, serpents, and other creatures. The objective of the study is to expose the instability of humans through animals: in Macbeth, the owl, horse, serpent, cat, and scorpion create a disturbed ecological landscape corresponding to political violence; in King Lear, the storm and heath produce a radical encounter with human vulnerability and animal existence; and in Othello, animalization becomes inseparable from sexuality, race, jealousy, and violence. The zoological reading as an interdisciplinary method is practiced by associating Shakespearean animal representation with biological characteristics, early modern cultural knowledge, ecological relations, and human–animal studies.