UGC Approved Journal no 63975(19)
New UGC Peer-Reviewed Rules

ISSN: 2349-5162 | ESTD Year : 2014
Volume 13 | Issue 10 | October 2026

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Volume 13 Issue 10
October-2026
eISSN: 2349-5162

UGC and ISSN approved 7.95 impact factor UGC Approved Journal no 63975

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Published Paper ID:
JETIR2610023


Registration ID:
586704

Page Number

a208-a216

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Title

Beyond Metaphor: Zoology, Animality, and Human–Nonhuman Relations in Shakespeare’s Hamlet, Macbeth, King Lear, and Othello

Abstract

Animals have held a distinct place in the literature since the birth of narratives. From aerial birds to terrestrial worms, insects, and other animals, they have been described in the literary world. Traditionally, they have been mentioned as metaphors in literary works. However, the paper explores the zoological imagination of William Shakespeare in Hamlet, Macbeth, King Lear, and Othello. The study makes an argument that the animals, instead of presenting as metaphors, play a role in Shakespeare’s larger interrogation of humanity, violence, sovereignty, embodiment, sexuality, race, ecological vulnerability, and the boundary between human and post-human life. The study, carried out under the integrated theoretical framework of Animal Studies, Ecocriticism, Renaissance natural history, and Zoological-cultural analytical study examines Shakespeare’s references to birds, mammals, reptiles, insects, worms, horses, goats, sheep, dogs, cats, serpents, and other creatures. The objective of the study is to expose the instability of humans through animals: in Macbeth, the owl, horse, serpent, cat, and scorpion create a disturbed ecological landscape corresponding to political violence; in King Lear, the storm and heath produce a radical encounter with human vulnerability and animal existence; and in Othello, animalization becomes inseparable from sexuality, race, jealousy, and violence. The zoological reading as an interdisciplinary method is practiced by associating Shakespearean animal representation with biological characteristics, early modern cultural knowledge, ecological relations, and human–animal studies.

Key Words

Shakespeare, zoology, animal studies, ecocriticism, animality, human–nonhuman relations, Hamlet, Macbeth, King Lear, Othello

Cite This Article

"Beyond Metaphor: Zoology, Animality, and Human–Nonhuman Relations in Shakespeare’s Hamlet, Macbeth, King Lear, and Othello", International Journal of Emerging Technologies and Innovative Research (www.jetir.org), ISSN:2349-5162, Vol.13, Issue 10, page no.a208-a216, October-2026, Available :http://www.jetir.org/papers/JETIR2610023.pdf

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2349-5162 | Impact Factor 7.95 Calculate by Google Scholar

An International Scholarly Open Access Journal, Peer-Reviewed, Refereed Journal Impact Factor 7.95 Calculate by Google Scholar and Semantic Scholar | AI-Powered Research Tool, Multidisciplinary, Monthly, Multilanguage Journal Indexing in All Major Database & Metadata, Citation Generator

Cite This Article

"Beyond Metaphor: Zoology, Animality, and Human–Nonhuman Relations in Shakespeare’s Hamlet, Macbeth, King Lear, and Othello", International Journal of Emerging Technologies and Innovative Research (www.jetir.org | UGC and issn Approved), ISSN:2349-5162, Vol.13, Issue 10, page no. ppa208-a216, October-2026, Available at : http://www.jetir.org/papers/JETIR2610023.pdf

Publication Details

Published Paper ID: JETIR2610023
Registration ID: 586704
Published In: Volume 13 | Issue 10 | Year October-2026
DOI (Digital Object Identifier):
Page No: a208-a216
Country: Jalaun, Uttar Pradesh, India .
Area: Arts
ISSN Number: 2349-5162
Publisher: IJ Publication


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