• Jeyanthi Rajendran

This paper endeavours to draw out the quintessence of feel and scholarly qualities in the movie Imaikka nodigal directed by Ajay Gnanamuthu. The film is loaded up with a mixture of different artistic components. The film additionally implies the life of a human which is profoundly impacted by intrinsic and extrinsic factors. The movie is viewed as a mix of rushes, tension, activities, feelings and love. With respect to Literature, this film can be viewed as a mirror which stands before the society. In an abstract point of view, this movie can be seen as the accumulation of numerous speculations and ‘isms’. The most beguiling component is that each character in the film has its own flashback (past) and their new return (present). Moreover, this film doesn’t give any space to the group of onlookers in discovering the real hero and the villain. Literature is nothing but the experiences of humans at different levels and is the reflection of the society. With reference to select literary theories and approaches, this paper clarifies the aesthetic essence of the film Imaikka Nodigal (Blinkless Seconds) through a literary-theoretical approach.

Quintessence of feel, Imaikka Nodigal, Speculations

"An Aesthetic Approach to the Tamil Film Imaikka Nodigal (Blinkless Seconds)", International Journal of Emerging Technologies and Innovative Research (www.jetir.org), ISSN:2349-5162, Vol.6, Issue 3, page no.41-46, March-2019, Available :http://www.jetir.org/papers/JETIRAF06012.pdf

"An Aesthetic Approach to the Tamil Film Imaikka Nodigal (Blinkless Seconds)", International Journal of Emerging Technologies and Innovative Research (www.jetir.org | UGC and issn Approved), ISSN:2349-5162, Vol.6, Issue 3, page no. pp41-46, March-2019, Available at : http://www.jetir.org/papers/JETIRAF06012.pdf