• R.JERIN SHALINI

This paper is to present the prolific distinction deals with the diasporic culture. Living in foreign land and being attached to one’s own culture, tradition, political upheavels by concentrating on own motherland without drifting from it, exploring the homeland in a deep and clear manner through one’s work of art can be get into consideration as if, it was a diasporic literature. Across the world, writing of diaspora sounds loud, comparing ones homeland and the land they got settled. The Lowland being an effective exploration, films the immigrant life between Tollygunge, in Calcutta and Rhode Island of United States. Jhumpa Lahiri, being the author of this expressive work indicates clearly, the culture and social style of immigrant living. Ailenation, displacement of shelter pours powerful strains over the two brothers life. Udayan and Subhash having a drastic way of living and admiration sprinkles Indian and American way of living. Udayan Mitra, younger to Subhash paves his track towards politics extends it to Naxalite movement. Subhash on the other, strongly paves his attachment to studies which Udayan detached from. Alienated, displaced living and attraction of western culture wraps the novel on whole.

Home land, Host land, Culture, Diaspora, Immigrant.

"ESSENCE OF DIASPORIC LIFE IN JHUMPA LAHIRI’S THE LOWLAND.", International Journal of Emerging Technologies and Innovative Research (www.jetir.org), ISSN:2349-5162, Vol.6, Issue 4, page no.997-1000, April-2019, Available :http://www.jetir.org/papers/JETIRAG06205.pdf

"ESSENCE OF DIASPORIC LIFE IN JHUMPA LAHIRI’S THE LOWLAND.", International Journal of Emerging Technologies and Innovative Research (www.jetir.org | UGC and issn Approved), ISSN:2349-5162, Vol.6, Issue 4, page no. pp997-1000, April-2019, Available at : http://www.jetir.org/papers/JETIRAG06205.pdf