UGC Approved Journal no 63975(19)

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Published in:

Volume 5 Issue 6
June-2018
eISSN: 2349-5162

UGC and ISSN approved 7.95 impact factor UGC Approved Journal no 63975

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Published Paper ID:
JETIRC006088


Registration ID:
184096

Page Number

495-503

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Title

DESIGN APPROACH OF ZAHA HADID FORM VOCABULARIES AND DESIGN TECHNIQUES

Abstract

Zaha Hadid(1950-2016) an Iraqi British architect whose works are a combination of the culture, identity of Iraq and the new thoughts, architectural and artistic schools like Suprematism, Deconstructivism, and Fluidity of Arabic Calligraphy. Her early projects reflected Deconstructivism, a non-Derridean philosophy which is based on ideas from various sources like Suprematism, Constructivism, Parametric architecture or nature to create a sculptural image. She wasinfluenced and inspired by Rem Koolhaas, Elia Zenghelis, Kazimir Malevich, Russian Constructivism, Chinese and Japanese architecture; nature was her dominant source of inspiration. Though she is called the Female Modernist of the Twenty-First Century, she understood the roots of modernism, believing in new structure, seeing things in new ways and representing the reality of modernity but she disliked the repetition principle of modernism which she portrays as mass production of the Industrial period.Her designs are a continuation of the modernism breaking down the inherited rules of architecture, which represents freedom in design. The first sight of her architecture gives the impression of a strong and elegant form where external appearance is given the priority followed by the functional accomplishments, circulation, lighting, etc. She perceives architecture as an art, which deals with human emotional experience like excitement, joy, adventure, etc. She pushed boundaries of design, defied architectural rules and conventions and builds what used to be unbuildable. She created her own radical rules of design from her own experience and rationalism. She searches for aesthetics in art, nature and architecture and applies them in design.This eager of searching helps her to obtain some primary skills diligently which became her own Design Techniques.

Key Words

Suprematism, Deconstructivism, Abstraction, Fragmentation

Cite This Article

"DESIGN APPROACH OF ZAHA HADID FORM VOCABULARIES AND DESIGN TECHNIQUES ", International Journal of Emerging Technologies and Innovative Research (www.jetir.org), ISSN:2349-5162, Vol.5, Issue 6, page no.495-503, June-2018, Available :http://www.jetir.org/papers/JETIRC006088.pdf

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2349-5162 | Impact Factor 7.95 Calculate by Google Scholar

An International Scholarly Open Access Journal, Peer-Reviewed, Refereed Journal Impact Factor 7.95 Calculate by Google Scholar and Semantic Scholar | AI-Powered Research Tool, Multidisciplinary, Monthly, Multilanguage Journal Indexing in All Major Database & Metadata, Citation Generator

Cite This Article

"DESIGN APPROACH OF ZAHA HADID FORM VOCABULARIES AND DESIGN TECHNIQUES ", International Journal of Emerging Technologies and Innovative Research (www.jetir.org | UGC and issn Approved), ISSN:2349-5162, Vol.5, Issue 6, page no. pp495-503, June-2018, Available at : http://www.jetir.org/papers/JETIRC006088.pdf

Publication Details

Published Paper ID: JETIRC006088
Registration ID: 184096
Published In: Volume 5 | Issue 6 | Year June-2018
DOI (Digital Object Identifier):
Page No: 495-503
Country: -, -, - .
Area: Engineering
ISSN Number: 2349-5162
Publisher: IJ Publication


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